何以是美与崇高?——论康德美与崇高概念的两层内涵及其意义  

Why are the Concepts of Beauty and Sublime?

作　　者：卢春红[1] 

机构地区：[1]中国社会科学院哲学所

出　　处：《哲学研究》2014年第3期77-84,129,共8页Philosophical Research

摘　　要：将美与崇高这对概念的研究与对其之内在感受相关联，是近代美学的一个重要特点。由此，研究者开始从主体的角度对美与崇高这对概念作出新的考察与理解。康德也承接了这一思路。然而，在进入《判断力批判》之后，当康德进一步将这一对概念纳人其先验哲学的总体框架时，就不只是从主体的角度来观察这一对概念，美与崇高还进人了情感能力之可能的先验解说过程之中，并显示出不同的内涵。本文尝试通过对美与崇高概念两个层面的分析，来关注康德何以在先验解说的过程中引入了美与崇高这一对概念。In Kant's The Critique of Judgment,the concepts of beauty and sublime are not only two different aesthetical phenomenons,but also appear in the transcendental process by which the feeling is possible,perform an important function,and possess different contents.Therefore,this paper's main purpose is to distinguish these two different contents,display the concepts of beauty and sublime in the transcendental aspect,and clarify the reason why the concepts of beauty and sublime are two essential elements in the pure aesthetic judgment.The conclusion is,the concepts of beauty and sublime reveal two important process—— ' how is aesthetic judgment a priori possible' and 'why is aesthetic judgment a priori possible'——with the way of actualization,and finally actualize the feeling of pleasure and displeasure.

关 键 词：概念 康德 内涵 《判断力批判》 意义 先验哲学 近代美学 情感能力 

分 类 号：B516.31[哲学宗教—外国哲学]