人间要好诗——也谈现代诗歌艺术判断的标准与尺度  

Excellent Poetry in Great Demand——On the Evaluation Standards of Modern Poetry

作　　者：薛世昌[1] 

机构地区：[1]甘肃天水师范学院文史学院,甘肃天水741001

出　　处：《南京理工大学学报（社会科学版）》2014年第3期24-29,共6页Journal of Nanjing University of Science and Technology：Social Sciences

摘　　要：诗歌判断既包括诗与非诗的判断,更包括好诗与劣诗的判断。"成立的诗"与"好诗"属两个不同的概念。好诗的第一尺度是:文本之内,表现者本身品质高远——诗歌意象(用以进行表现行为的表现者)和被表现者之间的性质距离遥远而不邻近,让人诗思受触而砰然心动;好诗的第二尺度是:文本之内,表现者自然生成,诗歌意象是特定的语境下有限自由的自然生成,而不是无视语境的无限自由的任意嵌入;好诗的第三尺度是:文本之内,在建立了被表现者与表现者之间不即不离的"A+远A"结构之后,更有饱满独特的生命体验自然而然地灌注其中,让人精神撼动、情绪感动。Poetry judgment involves distinguishing poems and non - poems, good poems and not - so - good poems. There is a striking difference between a poem and a great poem. There are three scale criteria in poem judgments. The first criterion is that, within the poem text, the composer himself or herself has a supreme quality, whieh indicates that there is a remote and never adjacent distance between the poem images （the embodiments of behavior signifiers） and the qualities of the signified. The reader is emotionally triggered and deeply touched. The second criterion is that, again within the poem text, the poet expresses himself or herself in a natural way. Poetic images exert a natural emotional burst and limited freedom within the given context, which are by no means a random image insertion and stacking, with no regard to contextual restraints. The third criterion, accordingly, is that, a poem text should display an ever increasing fervor of a unique and distinctive life experience, after setting up of the ＂A and distant from A＂ structure between the signifier and the signified. Jointly they will ensure a quivering and convulsive reading experience.

关 键 词：现代诗歌 艺术判断 标准 尺度 

分 类 号：I052[文学—文学理论]