从江淹《杂体诗三十首》看玄言诗的发展流变  

Study of Xuan Yan Poetry from Perspective of Jiang Yan's Thirty Miscellaneous Poems

作　　者：郭晨光[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《重庆邮电大学学报（社会科学版）》2014年第4期74-79,共6页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：国家社会科学基金:<全先秦汉魏晋南北朝文>编纂整理与研究(10&ZD103)

摘　　要：江淹《杂体诗三十首》选择了从汉末到刘宋时期三十位作家的作品进行模拟,反映了江淹对五言诗诗歌发展的品评观念。因为模拟的过程蕴含着不以理论表述,而是通过对原作的改造(顺应与背离,增加或删除)而反映的文学思想。基于此,文章通过具体分析《杂体诗三十首》中有关拟玄言诗的部分,发掘出江淹及南朝文人对玄言诗的产生、发展流变和消失过程的理解,这从拟诗的角度给我们提供了研究玄言诗这段文学史的新视角。Jiang Yan＇ s the Thirty Miscellaneous Poems imitates the thirty poets＇ poems from Han to Liu Song. These reflect Jiang Yah＇ s own literary criticism. Because the process of simulation contains no expression in theory, but to reform the original （adaptation and deviation, add or delete） and reflect the literary thought. The literary criticism can be ob- served in the excellent imitating works of that time. In this thesis, I am trying to analyze the Xuan Yan poetry of Thirty MisceUaneous Poems, we can find that the new perspective of the developing course of Xuan Yah poetry： development, boom, declining and deviation.

关 键 词：江淹 《杂体诗三十首》 玄言诗 游仙诗 

分 类 号：I207.22[文学—中国文学]