隐秀:文学意境的雏形——兼论文学意境的产生  

Invisible Elegance:the Embryo of the Artistic Conception of Literature--About begetting of the literary conception

作　　者：成远镜[1] 

机构地区：[1]娄底师范高等专科学校中文系,湖南娄底417000

出　　处：《内江师范学院学报》2001年第3期44-49,共6页Journal of Neijiang Normal University

摘　　要：刘勰的“隐秀”论 ,强调“隐”与“秀”的契合和“余味曲包”。他在论述艺术创造时 ,又十分重视主观情意与客观物象的交融 ,强调“虚静”和“窥意象而运斤”。这些观点已符合意境的审美规范和创作原则。本文认为 :意境论当产生于《文心雕龙》 ,“隐秀”便是意境的最初形态。Liu Xie's'Invisible Elegance'theory emphasizes the harmonic combination of 'Invibible'and'Elegance'and the 'implied aftertastes'.According to him,the interfusion of subjective emotion and feelings and objective images of things is of great importance.He at-tached significance to'hazy stillness'and 'A peep at the artistic image brings beauty'.These viewpoints conform with the aesthetic norms of the artistic conception in literary creations.This paper holds that the theory of the artistic conception derives from Wen Xin Diao Long(The Literary Mind and the Carving of Dragons) and the 'Invisible Elegance'is its fledgling form.

关 键 词：刘勰 文学创作 隐秀 "余味曲包" "心物交融" 虚静 意境 《文化雕龙》 文学理论 象 审美规范 创作原则 

分 类 号：I044[文学—文学理论]