论周济对词学兴寄论的新阐释  

The New Explaination of Zhou Ji's "Bixing and jituo of Ci

作　　者：徐枫[1] 叶抒[2] 

机构地区：[1]浙江大学学报,浙江杭州310000 [2]浙江大学出版社,浙江杭州310000

出　　处：《东北师大学报（哲学社会科学版）》2002年第2期79-85,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)

摘　　要：比兴寄托是中国古典诗学的一个相当古老的理论 ,常州词派的开创者张惠言注重政教 ,却又受经学的影响 ,限制了作者兴会与才情的发挥 ;董士锡偏重于艺术表现 ;周济则融会二家而包容之 ,既承认其上攀《风》《骚》 ,注重意格的一面 ,又强调了审美之特征 ,将寄兴的理论充分运用到其创作论中 ,提出了“从有寄托入 ,以无寄托出”的著名理论 ,从创作过程入手 ,对比兴寄托的实际运用作了进一步的发挥。bixing and jituo is an archaic theory of ancient Chinese poetics.Zhang Huiyan ,the inaugurator of 'Changzhou School of Ci',paid much attention to the political education and was effected by Confucian Classics,which restricted the exertion of author's encouragement and talent.Dong Shixi laid particular stress on artistic exhibition.Mr Zhou Ji merged and contained their characteristics,not only accepting the conception of connecting the feng and shao and paying attention to the artistic conception and style,but also emphasizing tasteful characteristics and applying the theory of bixing and jituo into his creative theory.He further developed the practical application of the theory from the creative process.

关 键 词：常州词派 周济 比兴寄托 词学 古典诗学 兴寄论 审美特征 

分 类 号：I207.23[文学—中国文学]