“礼坏乐崩”考论  

A Study of “Rites Collapsed and Music Disappeared”

作　　者：陈戍国[1] 陈雄[1] Chen Shuguo;Chen Xiong

机构地区：[1]湖南大学岳麓书院

出　　处：《社会科学》2019年第1期155-161,共7页Journal of Social Sciences

基　　金：国家社科基金重大项目"中国礼学文献整理与研究"(项目编号:13&ZD058)的阶段性成果

摘　　要："礼坏乐崩"不是一蹴而就的,它是一个过程的集合体,是东周社会转型时期的一种特殊存在状态,指的是西周的宗法礼乐制度的崩坏。春秋早中期,由于礼乐行之日久,宗法观念深入人心,大国称霸表现出浓厚的"尊尊"色彩,五礼制度的施行在损益中例行不辍,人们论礼非常频繁且多有精言。春秋中晚期到战国时期,礼乐制度逐渐面目全非,表现为"礼""义"的分离、五礼制度的崩溃以及乐制的坏乱。之所以会"崩坏",首先是因为宗法制与分封制的瓦解,其次是土地制度的变革,还有周王室本身军事实力的衰减,再加上贵族内部矛盾冲突的加剧以及礼制本身的形式化与繁琐化,这些因素的层叠造成了东周的"礼坏乐崩"。"Rites collapsed and music disappeared"is not completed in a short time,it is a developing process.In the early stage of Spring and Autumn Period,system of rites and music has experienced a long development,the patriarchal concept has lodged itself in the public mind.Many people talk about the essence of rites and music,strong states still respected the emperor.However,the four hundred years that from late Spring and Autumn period to the Warring States period, the system of rites and music has been distorted beyond recognition.

关 键 词：礼坏乐崩 礼乐制度 宗法 东周 

分 类 号：K892.9[历史地理—民俗学]