范式重构与视角转换:少数民族音乐文化研究的新思维  

Paradigm Reconstruction and Perspective Conversion: A New Thinking in the Research of Ethnic Minorities’ Musical Culture

作　　者：赵娜[1] 刘晓伟[2] ZHAO Na;LIU Xiao -wei(School of Music,Minzu University of China,Beijing 100081;Xinzhou Teachers University,Xinzhou,Shanxi Province,034000)

机构地区：[1]中央民族大学音乐学院,北京100081 [2]忻州师范学院,山西忻州034000

出　　处：《艺术百家》2018年第4期112-116,146,共6页Hundred Schools In Arts

摘　　要：少数民族音乐研究在近些年借鉴了西方人类学的方法以后,有了很大进展。文章主要分析了如何将人类学方法更有效地运用到少数民族音乐研究中来,并以包·达尔汗论著《蒙古佛教音乐文化的多元性》为例,从范式的转化及人类学的文化批评进行阐述,探讨在全球化和经济一体化的时代大潮中,少数民族音乐文化研究者如何确定自己的研究目标、如何定位自身的身份、如何创造性地开展调查与研究、如何在"后现代"中找到自己的话语方式。In recent years,substantial progress has been made in the research on ethnic minority music.Especially, after learning from the methods of Western anthropology,its borrowing degree and breadth of attention have been greatly expanded.However,as how can the borrowing of anthropological methodologies be more effective,the author uses BaoDaerhan's book "Plurality of Mongolian Buddhist Music Culture" as a reference to elaborate on the paradigmatic transformation and cultural criticism of anthropology in a bid to explore how the ethnic minority's music culture researchers determine their own research goals and objectives,what their identities are in the era of globalization and economic integration,how to carry out creative investigations and research work,and how to find their own way of speaking in "postmodernism".

关 键 词：范式 人类学 方法论 少数民族音乐文化 

分 类 号：J60[艺术—音乐]