审美乌托邦的中西比较  

Comparison of Aesthetic Utopias between China and the West

作　　者：邹强[1] Zou Qiang(School of Chinese Language and Literature,Shandong Normal University,Jinan Shandong,250014)

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《山东师范大学学报（人文社会科学版）》2018年第6期144-150,共7页Journal of Shandong Normal University(Humanities and Social Sciences)

基　　金：作者参与研究的国家社会科学基金项目"审美乌托邦研究"(09BZW010)的阶段性成果

摘　　要：无论东方中国抑或西方世界,审美乌托邦思想都不约而同地存在于各自的历史文化中,几乎成为一个跨文化的集体无意识。因文化背景、价值取向、审美方式等方面的差异,中西审美乌托邦在乌托邦基本属性和特点之外,呈现出"体系"与"片段"的不同建构模式、"宗教"与"世俗"的不同精神气质、"写意"与"细描"的不同建构风格、"进城"与"下乡"的不同探寻路径、"向前"与"回望"的不同期待视野。Due to the differences in cultural backgrounds,value orientations and aesthetic modes,besides their respective attributes and characteristics,aesthetic utopias in China and the West exhibit different construction patterns of "system " and "fragments ",different ethos of "religion " and"secularity",different construction styles of"free sketch"and"detailed description",different paths of searching of "going to town"and "going to the country",and different expected visions of "looking forward"and "looking back".

关 键 词：审美乌托邦 审美方式 乌托邦文学 

分 类 号：I01[文学—文学理论]