向死而生与向生而死之融合转换——论《第七天》的主题内涵  

The Fusion and Conversion between "Die to Live" and "Live to Die"——The Thematic Connotation of The Seventh Day

作　　者：刘文婷[1] 

机构地区：[1]安徽大学文学院,安徽合肥230000

出　　处：《集宁师范学院学报》2014年第3期19-22,42,共5页Journal of Jining Normal University

摘　　要：死亡叙述是余华小说创作的常见手段,在《第七天》中,余华延续了以往"向死而生"的主题又有所突破,赋予其对于生与死的全新理解。文章阐释了余华如何用死后的虚无世界来承接对"向生而死"的融合与转换,又以"因情而永生"、"因绝望而永生"对"向生而死"主题进行两种解读,将其作为余华对生存与死亡关系的总结与升华。The narration of death is a common means of YU Hua＇s novels. In The Seventh Day, YU Hua follows up the past theme ＂die to live＂ and has made a new breakthrough, endowing the novel with his completely new understanding of life and death. The paper explains how YU Hua undertakes the integration with the past theme ＂live to die＂ and begins the con- version to the world of nothingness after death. And then the theme ＂live to die＂ continues to be interpreted in the two as- pects-to ＂gain an immortal life because of love＂ and to ＂gain an immortal life because of love because of despair＂ as a sum- mary and sublimation of the YU Hua＇s understanding of the relationship between life and death.

关 键 词：余华 死亡 活着 绝望 永生 

分 类 号：I207.67[文学—中国文学]