海德格尔文艺学方法论探析  

A Methodology Research of Heidegger's Literary Art Theory

作　　者：温玉林[1] 

机构地区：[1]罗定职业技术学院教育系,广东罗定527200

出　　处：《阴山学刊》2014年第5期56-59,共4页Yinshan Academic Journal

摘　　要：海德格尔文艺学方法论特别之处在于:1.认知方式的特别。他思考"存在者"倾向于时间性、过程性的、"活"的领会,这具体的"思"就是主客合一的认知模式,这模式使他走上了和自然科学不同的真理把握。"真理"实际就是"存在"的意义,需要"此在"之在场才能把握。2.海氏具体的"思"就是"诗","诗"表现为"返乡",表现为对基本意义的探讨;3.他的作品本源是创造一个世界。The speciality of Heidegger＇ s literary art theory methodology can be concluded as follows： 1. the special cognitive mode. He thought ＂existence＂ tend to timeliness, procedural and living. This specific cognitive mode is the unity of cognitive subject and object mode, so that he embarked on a different natural sciences and grasp the truth. ＂Truth＂ is actually ＂exist＂, and its meaning needs to grasp ＂Dasein＂. 2. Heidegger＇ s specific ＂thinking＂ is ＂poetry＂ and ＂poems＂ appear as ＂returning to the origin＂. In fact, it is the basic significance of the ＂sein＂. 3. The origin of his works is to create a world.

关 键 词：海德格尔 认知模式 方法论 诗 作品 

分 类 号：I0-03[文学—文学理论]