身份认同、自我表达与文化困局——启蒙论与现当代中国作曲家个体意识的嬗变  

Identity,Self-Expression and Cultural Predicament:Enlightenment Theory and the Evolution of Modern and Contemporary Chinese composers' individual consciousness

作　　者：周钟[1] 

机构地区：[1]南京艺术学院音乐学院,江苏南京210013

出　　处：《贵州大学学报（艺术版）》2014年第5期96-99,共4页Journal of Guizhou University Art Edition

摘　　要：启蒙论的输入对现当代中国作曲家个体意识影响巨大,通过对主体意识与个人主义的宣扬,直接促成了作曲家对职业身份的认同与对自我表达的珍视。但启蒙及其带来的现代性也造成了中国音乐发展的文化困局。想要避免被文化殖民,就要突破启蒙,中国作曲家个体意识的转型并没有结束。Through the advocacy of subject consciousness and individualism, the import of the Enlightenment theory has had a huge impact on modern and contemporary Chinese Composers＇ individual consciousness that directly contributed to composers＇ professional identity and self- expression. The enlightenment and modernity nevertheless brought about the cultural predicament for the development of Chinese music as well. To avoid being culturally colonized, it is neces- sary to break free from the Enlightenment and thus the transformation of Chinese composers＇ individual consciousness has not come to an end yet.

关 键 词：启蒙 中国作曲家 个体意识 身份认同 自我表达 文化困局 

分 类 号：J603[艺术—音乐]