《高祖还乡》的陌生化解读  

The Defamiliarization Interpretation of Gao Zu's Return of the Native

作　　者：夏艳萍[1] 

机构地区：[1]湖南工程学院外国语学院,湖南湘潭411104

出　　处：《湖南科技大学学报（社会科学版）》2014年第4期131-135,共5页Journal of Hunan University of Science and Technology(Social Science Edition)

摘　　要："陌生化"意味着"使其陌生",是俄国形式主义诗学的核心概念,它昭显了俄国形式主义的纯艺术观。以"陌生化"为基点,俄国形式主义构建了一个自主性的文学理论体系。在《高祖还乡》中,睢景臣通过陌生化的艺术处理,对传统的根深蒂固的文化正统和帝王权威进行了成功的颠覆,使接受主体摆脱了机械化的定势的感知模式,以一种全新的眼光和视角来体验、观照和审视历史。As a core concept of poetics in Russian Formalism,＂defamiliarization＂means ＂making it strange＂,which shows the purely artistic view of Russian Formalism. Taking ＂defamiliarization＂as the base point,Russian Formalism has built an autonomously literary theory system. In Gao Zu＇s Return of the Native,Ju Jingchen,by means of artistic treatment of defamiliarization,successfully overthrew the traditionally deep-rooted cultural orthodox and the emperor＇s authority,made the reception subjects get rid of mechanical and rigid perceptual modes,and experienced,observed and examined the history with a new visual angle and perspective.

关 键 词：陌生化 《高祖还乡》 解读 

分 类 号：I054[文学—文学理论]