西方现代美学的审美形而上学重构  

The Reconstruction of the Aesthetic Metaphysics of Western Modern Aesthetics

作　　者：李晓林[1] 

机构地区：[1]厦门大学中文系,副教授福建厦门361005

出　　处：《学术月刊》2014年第12期115-121,共7页Academic Monthly

基　　金：国家社科基金后期资助项目"审美形而上学研究"(13FZW032)的研究成果之一

摘　　要：审美形而上学是将美与形而上学相关联的美学理论。鉴于美在艺术中得以集中体现,审美形而上学往往表现为艺术形而上学。鉴于本体论是形而上学最核心的内涵,审美形而上学往往将美和艺术的终极依据归于本体,即认为美和艺术的原因在于理念、真理、上帝、意志或存在。柏拉图的理念论美学不仅在新柏拉图主义者普罗丁那里得到回应发展,更在两千多年来的西方美学史上激起持续的回响。20世纪美学被普遍认为是反对、清除、拒绝形而上学的美学,其重建工作却往往被忽略。现象学美学、存在论美学和解释学美学以对审美对象的直观超越了"自上而下"和"自下而上"方法的局限,在审美主体一端肯定了人的形而上天性,在审美对象一端剖析了艺术的形而上性质,延续而非解构了审美形而上学传统。The aesthetic metaphysics is the theory that associates beauty with metaphysics. In view of beauty often embodys in art, the aesthetic metaphysics often manifests correspondingly in the metaphysics of art. In view of the ontology is the core connotation of metaphysics, the aesthetic metaphysics attributes the ultimate basis of beauty and art to the noumenon, which holds the reason to the idea, truth, being, will, or God. Plato＇s aesthetics not only get a response in Neoplatonism Plotinos,but also reverberate in more than 2000 years in history of Western aesthetics. Modern aesthetics of the 20th century is generally considered to oppose, clean, reject metaphysics, its reconstruction work is being ignored. Phenomenology aesthetics, ontological aesthetics and hermeneutics aesthetics, regard aesthetic objects intuitively beyond the ＂top-down＂ and ＂bottom-up＂ limitations of the method; affirms the metaphysical nature of human being at aesthetic subjects, and analyse the metaphysical nature of art at aesthetic objects; extending rather than deconstructing of the aesthetic metaphysical tradition.

关 键 词：形而上学 审美形而上学 存在论 

分 类 号：B83[哲学宗教—美学]