论阮籍的出处矛盾及其美学意蕴  

Ruan Ji's Contemplation to beofficial or to Retire and its Aesthetic Connotation

作　　者：李昌舒[1] 

机构地区：[1]南京大学文学院,江苏南京210046

出　　处：《艺术百家》2014年第6期169-175,共7页Hundred Schools In Arts

基　　金：2010年度国家社会科学基金青年项目"出处问题的哲学基础及其美学意蕴研究"(项目编号:10CZX053)阶段性成果之一

摘　　要：阮籍是一个矛盾的集合体,最主要者应为徘徊于名教与自然之间的出处矛盾,一方面,它作为连接竹林玄学与元康玄学之间的过渡环节,对于玄学的发展具有重要作用;另一方面,它也造成了阮籍在生存、思想和表达上的诸多矛盾。现实环境的险恶与出处方式的先行性,使阮籍成为孤独的沉默者,诸多矛盾又倾吐于八十二首《咏怀诗》中。阮籍会通出处的尝试奠定了后世士人出处的基本模式,并对此后的中国美学产生深远影响。On one hand,Ruan Ji was a link between Bamboo Daoism and Yuankang Daoism. On the other hand,such a function also resulted in his conflicted thoughts about life especially on his contemplation to beofficial or to retire Dangerous practical environment and antecedence of his own way to choose either to beofficial or to retire made Ruan Ji become a solitude silencer whose contemplations were found in 28 pieces poems of his heart. Ruan Ji’s attempt has exerted a far- reaching impact upon later scholars’ way of life,and a great influence upon Chinese aesthetics.

关 键 词：艺术理论 中国传统文化 阮籍 出处矛盾 《咏怀诗》 美学意蕴 

分 类 号：J0[艺术—艺术理论]