音乐感知中的“整体—局部”加工偏好——来自行为和生理的证据  

The Global-local Processing Preference in Music Perception

作　　者：严苏凤[1] 余习德[2] 

机构地区：[1]渭南师范学院教育与公共管理学院,陕西渭南714099 [2]中山大学心理学系,广州510275

出　　处：《渭南师范学院学报》2014年第24期72-78,共7页Journal of Weinan Normal University

基　　金：陕西省教育厅科学研究计划项目:<史记>音乐文化研究(13JK0497)

摘　　要：音乐感知研究发现,多数人会出现显著的加工偏好。音乐感知"整体—局部"加工偏好的行为与生理依据的相关研究表明,音乐感知研究经历了三种范式的变迁。总体上,听觉通道中存在整体加工偏好和局部干扰,听觉加工中具有时间与效率的水平启动效应,视听通道的整合具有一致性效应。但是,在视听类比中又存在视听刺激的时序性差异和语义启动的可能,并由此引发相关记忆与情绪。音乐感知研究需要注重范式、取向的多维度,尝试在"跨通道间代偿"假设下进行研究。The researches of music perception find that most people show their notable processing preferences.The related re-searches on the behaviors and physiological basis show that, the study of music perception has undergone the changes of three para-digms.In all, there exist global processing preference and local disturbance in auditory channel, and the effect of time and efficiency level starts in audio processing, and the integration of audio-visual channel has congruent effect.But, there are time sequence differ-ence of AVSS and possibility of semantic priming in Audio-Visual analogy, which initiate related memory and mood.The study of music perception need stress the multi-dimension of paradigms and orientation, and try to study on the hypothesis of Cross-Channel compensation.

关 键 词：音乐感知 整体-局部 加工偏好 

分 类 号：J60-051[艺术—音乐] B845[哲学宗教—心理学]