杜夫海纳的文艺观及其启示  

Dufrenne's literary theory and it's enlightenments

作　　者：殷学明[1] 

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《东方论坛（青岛大学学报）》2014年第6期120-124,共5页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：国家社会科学基金青年项目"审美与意识形态的变奏--20世纪西方修辞观念研究"(08CZW004)的阶段性成果

摘　　要：杜夫海纳对于艺术的基本观念是:艺术作品只是潜在的审美对象,只有通过审美知觉主体的呈现,艺术作品才能实现自身。艺术不能通过语言即阐释来理解艺术,而是通过艺术自身的呈现来理解语言以及人自身的存在,所以艺术是审美主体返回自身发现美的一种知觉存在,其目的就是使知觉主体对事物的呈现如同所呈现的那样,而不是如同所认知和理解的那样。文艺观念蕴含着修辞观念,加强杜夫海纳文艺观研究不仅有助于二十世纪西方修辞观念的研究,而且对我国的文艺创作也是有着积极的启发和借鉴意义的。Dufrerme＇s basic concept of art is that art work is only the potential aesthetic object which can achieve itself only through the presentation of the aesthetic and conscious subject. We can＇t understand art by means of language, i.e., interpretation, but through the appearance of art itself to understand language and the existence of man. So art is a kind of perceptual existence through which aesthetic subject returns itself and finds beauty and whose purpose is show the aesthetic subject as it is, but not as his knows and understands. Literary theory contains rhetorical concept, and strengthening the study of Dufrenne＇s literary theory will not only benefit the study of western rhetorical concept in the 20th century but also inspire and guide our literary creation.

关 键 词：杜夫海纳 审美对象 知觉主体 语言 呈现 

分 类 号：B835[哲学宗教—美学]