郭象对道家哲学向美学转化的贡献  

Guo Xiang's Contributions to the Conversion of Taoist Philosophy to Aesthetics

作　　者：陈火青[1] 

机构地区：[1]贵州师范学院文学院,贵州贵阳550018

出　　处：《青海师范大学学报（哲学社会科学版）》2015年第3期109-113,共5页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：贵州省教育厅高校人文社会科学研究规划项目"道家美学典范性问题研究"(13GH018)

摘　　要：郭象思想为老庄道家哲学向美学转化提供了一种更落实于尘世而易为时人所实践的理论基础。"独化于玄冥"将道之自然落实为物的自然本性,现实事物有了自身根据与价值;"足性则逍遥"实现了道家超越精神与世俗领域的统一,使超越有了现实的依托,有着直接的美学意义;"名教即自然"客观上推动了道家哲学的发展与流行,也激励了"任自然"的风尚。这些无不促进了一种具有道家特色的广义上的道家美学的形成。Guo Xiang’s theory provided a theoretical foundation w hich can be more easily practiced to the transformation of Daoist philosophy to aesthetics .Duhua-xuanming ,Guo -xiang called it the theory of self‐transformation ,turned the metaphysical Dao into the essence of phenomena ,so a natural substance has its ow n reason .Zuxin‐xiaoyao ,called the nature and freedom ,unity Daoist transcendental spirit and secular field ,which had a direct aesthetic significance .Living following natureshow a direct practicable fashion of the transcendental spirit .These were contributions to the formation of Daoism aesthetics in a broad sense .

关 键 词：道家美学 郭象 独化 逍遥 自然 

分 类 号：B83-06[哲学宗教—美学]