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作 者:范卫平[1]
机构地区:[1]甘肃民族师范学院汉语言文学系,甘肃合作747000
出 处:《南昌大学学报(人文社会科学版)》2015年第4期18-24,共7页Journal of Nanchang University(Humanities and Social Sciences)
基 金:甘肃省教育厅研究生导师项目"欧阳修人格范式与宋代文化关系研究"(1012-08)
摘 要:欧阳修俗词的真伪问题实质上牵扯到对欧阳修人格的评价。随着欧阳修俗词"伪作说"的被否定,如何评价欧阳修人格的问题又凸显出来。面对德业文章道貌俨然而情词创作缠绵沉挚的欧阳修,有些学者用"双重人格""多重人格""人格分裂"的概念评价其人格。这种评价客观上造成了对欧阳修人格的根本性否定:欧阳修要么是人格分裂的精神病患者(从心理学角度),要么是多重人格的"伪君子"(从伦理学角度)。其实,欧阳修不仅人格健全、高尚,而且达到了审美人格的境界,他那缠绵沉挚、锐感多情的小词正是他和谐、个性、自由、超越、创造的审美人格的显现,因此,我们认为,不宜用"人格分裂"等概念评价欧阳修。评价欧阳修词作及其人格,应取审美的向度。Ouyang Xiu wrote many poems concerning love; some modern scholars,therefore,have described him as someone who has a dual personality or multiple personality,which,of course,thoroughly negates Ouyang Xiu's personality by concluding that either Ouyang Xiu was a psychotic with a multiple personality,or he was a hypocrite from an ethical perspective. This paper indicates that his poems( Ci) on love demonstrating the writer's aesthetic personality; Ouyang Xiu had a healthy and noble personality,as well as a pure aesthetic personality. Another conclusion of this paper is that we had better take the aesthetic dimension into consideration when we evaluate Ouyang Xiu's poems and personality.
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