从世界文学角度重读《骆驼祥子》的两个译本  

Rethinking of Two English Versions of Luotuo Xiangzi in Light of World Literature

作　　者：林嘉新[1] 陈琳[1] 

机构地区：[1]同济大学外国语学院,上海200092

出　　处：《同济大学学报（社会科学版）》2015年第4期109-118,共10页Journal of Tongji University:Social Science Edition

基　　金：国家社会科学基金项目(项目编号:10BYY012);国家留学基金委资助项目(项目编号:201406260123)

摘　　要：《骆驼祥子》的英语重译现象是中国文学外译史上的重要历史个案,也是中国文学成为世界文学的成功典范。文章从达姆罗什的世界文学定义出发,通过比较金译本和葛译本的文本差异,发掘了两个译本的文化折射性、翻译接受性以及阅读的超然性,以论证翻译在中国文学成为世界文学这一过程中的核心作用。对其两个译本的差异和接受过程进行考察,有利于我们认识中国文学"走出去"应采取接受语境为导向的文化推介战术。The English retranslations of Luotuo Xiangzi is a significant case m the translation history of Chinese literature as well as one of the successful exemplars of Chinese literature circulating in the English world. Employing the definition of world literature by David Damrosch, this paper compares the text differences between Evan King＇s translation and that of Howard Glodblatt, and examines the cultural refractivity and acceptability of the texts as world literature, as well as the ＂detached involvement＂ in reading, in order to demonstrate the key role of translation in integrating Chinese literature into world literature. The study of the text differences and the acceptance process of the two translations reveals that the target-oriented culture promotion tactics should be employed to introduce Chinese literature to the world.

关 键 词：《骆驼祥子》 世界文学 达姆罗什 伊文·金 葛浩文 

分 类 号：I046[文学—文学理论]