空间与思维:以特纳的空间认知理论解读《天路历程》  

Space and Thinking: An Interpretation of The Pilgrim's Progress Based on Turner's Cognitive Space Theory

作　　者：蒋展[1] 何辉斌[1] 

机构地区：[1]浙江大学外国语言文化与国际交流学院,浙江杭州310058

出　　处：《东北大学学报（社会科学版）》2015年第5期545-550,共6页Journal of Northeastern University(Social Science)

摘　　要：《天路历程》是英国文学史上里程碑式的作品,尽管研究颇多,但从作者与读者的思维与认知的角度仍有尚多挖掘空间。马克·特纳在《文学的心灵》中所提出的空间认知理论为此研究提供了理论依据。小说文本中蕴含的从源空间到目标空间的投射模式、多重空间混合以产生更丰富的含义,以及读者通过想象获得的跨空间的全面认知,揭示出作者班扬在创作文学作品与读者理解作品时与空间密不可分的思维模式。如此便可对小说的创作思维与读者的理解思维作出新的解释,说明利用空间进行认知是人的基本思维方式。The Pilgrim’s Progress stands out as a landmark in the history of British literature. In spite of its considerable research, the exploration from the perspectives of the author as well as the reader’s thinking and cognition remains to be done. The theory of cognitive space put forward by Mark Turner in The Literary Mind provides a theoretical foundation for such studies.As reflected in the novel texts,the proj ection mode from the source space to the target space,the blending of multiple spaces which gives rise to rich meanings and the reader’s comprehensive cognition across spaces through imagination reveal that the thinking modes of Bunyan’s creation and the reader’s understanding are closely connected with the space,so as to interpret the creation and understanding thought from a new angle and illustrate that the cognition by means of space is people’s fundamental way of thinking.

关 键 词：《天路历程》 马克·特纳 空间 思维 认知 

分 类 号：I106.4[文学—世界文学]