感通之德与游艺精神——唐君毅对中国游艺精神的新解  

The Virtue of Telepathy and Recreation Spirit——The New Understanding of Tang Junyi of the Chinese Art Spirit

作　　者：史爱兵[1] 田野[1] 

机构地区：[1]河北大学艺术学院,河北保定071002

出　　处：《保定学院学报》2015年第6期82-88,共7页Journal of Baoding University

基　　金：教育部人文社会科学研究青年基金项目"20世纪以来中国学人与昆曲艺术的传承;发展研究"(14YJC760048)部分成果

摘　　要：在中国传统文化中,游艺精神由来已久,以孔子、庄子为代表的游艺精神强调的是游艺主体的心之游,唐君毅在继承先贤的基础上,从其心本体论出发,认为游艺精神是心物交融为核心的物我感通。他从感通之心、感通之物(艺术)以及心物交融三个方面对游艺精神进行阐释,既体现了对传统游艺精神的承继又呈现了其个人的新解和对时代精神的融入。In traditional Chinese culture, recreation spirit exists for a long time, the recreation spirit represented by Confucius, Chuang Tzu emphasized the importance of the recreation from the heart. Tang Junyi on succession of the philosophy of the sages, started from the heart Ontology theory, emphasized that the mind and matter blend is the core of recreation spirit. He interpretated recreation spirit from three aspects： the heart-the subject of telepathy, the object of telepathy （ART） and the mind and matter blends. This interpretation not only is the inheritance of the traditional culture but also is the new explanation of the recreation spirit.

关 键 词：唐君毅 中国艺术 感通之德 游艺精神 心物交融 

分 类 号：J01[艺术—艺术理论]