711号园中的瓦尔登湖式漫步——《北京,最后的纪念》与《瓦尔登湖》美学构建之异同  

A Walden Walk in the Park 711——On the Aesthetic Construction of The Park 711 and the Walden

作　　者：章以华[1] 

机构地区：[1]浙江工业大学外国语学院,浙江杭州310023

出　　处：《浙江工业大学学报（社会科学版）》2015年第4期419-424,共6页Journal of Zhejiang University of Technology：Social Sciences

摘　　要：阎连科的《北京,最后的纪念》(又名《711号园》)虽在美学构建上借鉴了梭罗的《瓦尔登湖》的视角,却展示了不同的生态审美观和文化观。但是,两者存在相通之处,即都是基于生物区域主义的本土化创作。这种不同而"和"的现象体现了东西方审美旨趣的呼应和融合。区域生物主义引导下的对话与传承是本土生态话语构建的途径,也是实现全球生物圈可持续发展的有效途径。Yan Lianke＇s The Last Memory of Beijing（ also as The Park 711） draws from Thoreau＇s Walden in the aesthetic construction but shows different perspectives both biologically and culturally. However,the two texts have something in common for their similarities in bioregional creation.Those differences and similarities reveal the interaction and integration in aesthetic purport between the western and Chinese literature. Dialogues between different cultures and inheritance from the local culture under the guide of bioregionalism will contribute to the local biological discourse construction as well as the sustainable development of the biosphere.

关 键 词：《北京 最后的纪念》 《瓦尔登湖》 生物区域主义 美学构建 

分 类 号：I0-03[文学—文学理论]