《呼兰河传》:融汇各种文体艺术的奇文  

Tales of Hulan River :A Fantastic Work Blending Together Various Strange Styles of Arts

作　　者：杨迎平[1] 

机构地区：[1]南京晓庄学院文学院,江苏南京211171

出　　处：《山东师范大学学报（人文社会科学版）》2016年第1期40-46,共7页Journal of Shandong Normal University(Humanities and Social Sciences)

摘　　要：萧红的《呼兰河传》不像小说,它吸收诗、戏剧、散文的一些长处,甚至还具有电影化特征,可谓融汇各种文体艺术。《呼兰河传》通过戏剧艺术的讽刺批判、散文艺术的怀念倾诉、诗歌艺术的吟唱咏叹、电影艺术的影像书写这些陌生化叙述,使读者对呼兰河小城熟视无睹、司空见惯的国民惰性产生惊讶和好奇心。萧红是一位现实主义作家,她真实地表现了呼兰河人的生活,但她的现实主义与传统的现实主义不同,她在《呼兰河传》中运用夸张、象征和反讽手法,创造了超现实的现实主义杰作。Unlike the novel in its ordinary sense, Tales of Hulan Riverblends together various styles of arts through absorbing certain strengths from the novel, drama and prose, even with the features of cinematography. With such de - familairized narrations as ironical criticism of drama, nostalgic confiding of prose, intonating and chanting of poetry, and image writing of cinematography, the Novel brings the reader into surprise and curiosity about the common national inertia of blindness of the small town of Hulan River. As a realist writer, Xiao Hong truly represents the life of the people by Hulan River. However, she has created the Novel into a surreal masterpiece of realism by making use of hyperbole, symbol and irony be her realism different from traditional realism.

关 键 词：《呼兰河传》 戏剧性 诗化 散文化 电影化 

分 类 号：I207.425[文学—中国文学]