论子弟书对《琵琶行》艺术的接受与重构  

The Acceptance and Reconstruction of the Art of Pipa Song in Zidishu

作　　者：陈洪[1] 杨恂骅 

机构地区：[1]江苏师范大学文学院,江苏徐州221116 [2]中国社会科学院研究生院文学系,北京102400

出　　处：《中央民族大学学报（哲学社会科学版）》2016年第2期141-147,共7页Journal of Minzu University of China(Philosophy and Social Sciences Edition)

摘　　要：《琵琶行》是流传千年的叙事抒情兼美的艺术品,子弟书是清代中晚期北方零琼碎玉式的民间曲艺。子弟书作者以自己的"期待视野",将《琵琶行》环境、心理,叙事、情感的空白进行填充,并在局部描绘上更趋集中、细腻,创造出一种别样的光辉。Pipa Song is a narrative lyric spreading for over a thousand years. Zidishu is a northern folk art popular in the middle and late periods of the Qing Dynasty. The writers of Zidishu added the contents of environment,psychology,narration and emotion in Pipa Song based on their＂Expectation Horizon＂and made its descriptions more concentrated and exquisite in details. By doing so,they created a different form of Pipa Song.

关 键 词：子弟书 琵琶行 艺术特色 

分 类 号：I239.6[文学—中国文学]