从再情景化的视角论《阿Q正传》中戏曲典故的反讽效果  

An Analysis of the Ironic Effect of Operatic Allusions in The True Story of Ah Qfrom the Perspective of Recontextualization

作　　者：李祥云[1] 董益[1] 

机构地区：[1]中国海洋大学外国语学院,山东青岛266100

出　　处：《中国海洋大学学报（社会科学版）》2016年第2期114-118,共5页Journal of Ocean University of China(Social Sciences)

基　　金：中国海洋大学2014年校文科培育专项"中国离婚话语的性别特征研究"(201415020)的阶段性成果

摘　　要：《阿Q正传》是鲁迅先生的代表作之一,小说语言亦庄亦谐,用反讽的手段塑造了阿Q这个喜剧性的悲剧人物。本文以再情景化理论为指导,从情景语境的三个要素,即语场、语旨、语式出发,对《阿Q正传》中两个戏曲典故《小孤孀上坟》和《龙虎斗》的源语境与目标语境进行对比分析,认为典故的再情景化凸显了源语境与目标语境的强烈反差,从而达到了作品的反讽效果。The True Story of Ah Q,a representative work of Lu Xun,created the tragic image of Ah Q with a language both humorous and ironic.In this novel two operas were alluded to,The Young Widow at Her Husband＇s Grave and The Battle of Dragon and Tiger.The operatic allusions brought about an ironic effect through drastic inconsistency between the source context and target context.This paper analyzes the register variables of source context and target context of the operatic allusions in The True Story of Ah Qfrom the perspective of recontextualization,and demonstrates the ironic effect brought about by the contextual inconsistency during the process of recontextualization.

关 键 词：再情景化 语场 语旨 语式 戏曲典故 反讽 《阿Q正传》 

分 类 号：H03[语言文字—语言学]