元杂剧中赋体的运用——以《元刊杂剧三十种》为考察对象  

The Use of Fu in Yuan-zaju——A Study on Thirty Yuankan Zaju Plays

作　　者：杨正娟[1] 

机构地区：[1]南京大学文学院,江苏南京210046

出　　处：《汕头大学学报（人文社会科学版）》2016年第2期53-58,95,共6页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：元杂剧的曲文在写景、状物、叙事、抒情等方面大量借鉴了抒情小赋的艺术形式;其戏剧结构、讲唱对话等则受到了俗赋的影响。同时,赋与戏剧所具有的诗性特征和共同的表达方式,又带有文化基因上的传承性和共通性。《元刊杂剧三十种》作为最早的元杂剧刊本,较为完整地体现了元杂剧对赋体的运用和借鉴,以及俗文学在雅文学影响和渗透下的发展轨迹。The lyrics of Yuan-zaju borrow artistic forms from lyrical fu in scenery representation, object description, narration and emotional expressions,while its dramatic structure and dialogic mode are influenced by popular fu. The poetic features and expressions shared by Fu and Yuan-zaju demonstrate the hereditary and commonality of their cultural genes. As one of the earliest editions of Yuan-zaju, Thirty Yuankan Zaju Plays reflects the use of Fu in zaju, and the development track of popular literature as affected by elegant literature.

关 键 词：《元刊杂剧三十种》 赋体 抒情小赋 俗赋 

分 类 号：I207.37[文学—中国文学]