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机构地区:[1]辽宁师范大学文学院,辽宁大连116081 [2]辽宁大学国际教育学院,辽宁沈阳110036
出 处:《中国文学研究》2016年第3期107-110,128,共5页Research of Chinese Literature
基 金:国家社科基金项目"中国当代文学价值评估体系的重建与文学价值新探"(11BZW025);辽宁省社科联重点项目"文艺人民性的创作导向与批评标准研究"(2015lslktzdian-18)阶段性研究成果
摘 要:"文革文学"由于产生于非正常的时代,因此,是中国文学史上的悲剧时代,这是毫无疑义的。这就决定了它不可能是"开采的富矿"。但"文革"是有文学的,尽管它的文学价值不高,但仍有研究必要。在中国文学史的链条上,"文革文学"这个环节是不能缺少的,否则,文学的历史就出现了"断裂"、"断代",就是不完整的。研究"文革文学",要注意克服三种倾向。应该设身处地,还原历史,以历史唯物主义的观点,整理和发掘"文革文学",不能过度阐释、强制阐释。对于样板戏、《金光大道》、"地下写作"等都要辩证地分析,对于"文革"时期的"文学生活"资料也应进一步挖掘。"Cultural Revolution Literature" arising from the non-normal times, therefore, is tragic era in the history of Chinese literature without doubt. This determines that it can't be "the rich ore". But there was literature works during "Cultural Revolution" era, although its literary value is not high, but the research is still necessary. In the chain of the history of Chinese literature, the "Cultural Revolution Literature" can't be the missing part. Otherwise, the history of literature has been "broken", is not complete. Studying "the literature~ of the Cultural Revolution", we should overcome the three tendencies. We should put ourselves in that time's position and return to the original history, with a view of historical materialism, sort and explore the "Cultural Revolution Literature", we should not be over-interpretation, forced interpretation. For the model operas, "Golden Road" and "underground writing" and so on, which should be analyzed dialectically, the literature activities' data of "Cultural Revolution" period should be further excavated.
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