明代的《水浒传》评点——以李贽、叶昼为个案  

Comments on Water Margin in the Ming dynasty: A case study of Li Zhi's and Ye Zhou's comments on Water Margin

作　　者：祁志祥[1] 

机构地区：[1]上海政法学院,上海201701

出　　处：《云南大学学报（社会科学版）》2016年第5期68-73,共6页The Journal of Yunnan University:Social Sciences Edition

基　　金：笔者主持的国家社科基金项目"中国古代美学史的重新解读"(项目号:05BZW010)的阶段性研究成果

摘　　要：《水浒传》在元末明初问世后,引发了明代小说评论的一个热潮,其中尤以李贽的评点影响最大,叶昼托名李贽的评点成就最高。李贽给《水浒传》披上"忠义"的外衣,对《水浒传》批判黑暗现实的"泄愤"精神大加肯定,并对《水浒传》在"像情像事"的情节描写中创造动人"趣味"的写实主义艺术特点给予具体分析和高度评价。叶昼沿着李贽开辟的方向,提出《水浒传》的"妙处"都在"人情物理",这个"人情物理"是虚构创造的"逼真",其艺术成就是"传神写照""千古若活"的人物形象的塑造,从而为清人金圣叹将《水浒传》评点推向高峰奠定了坚实的基础。The publication of Water Margin in the end of the Yuan dynasty and the early Qing dynasty triggered a boom in the comments on the novels of the Ming dynasty,of which Li Zhi's had the greatest influence while Ye Zhou's was the best. Li Zhi emphasized 'loyalty'in Water Margin,and praised highly its severe criticism of the dark reality and the vivid description of the realistic plots and characters. Ye Zhou followed Li Zhi's approach and pointed out that the artistry of Water Margin was the vivid description of the people of the world in fictional truth,which laid a solid foundation for further comments on Water Margin written by Jin Shengtan.

关 键 词：李贽 叶昼 水浒传 评点 

分 类 号：I054[文学—文学理论]