媒介与文体视域下的叙事塑形  

Narrative Configuration from the Perspective of Genres and Media

作　　者：李森[1] 

机构地区：[1]南京艺术学院人文学院,南京210010

出　　处：《上海大学学报（社会科学版）》2016年第4期83-97,共15页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金青年项目(14CZW005);中国博士后科学基金第59批面上资助项目(2016M591889)

摘　　要：叙事形式的产生与发展并非自律性的,而是受到媒介与文体双重因素的交互影响。图像逐步内化为叙事不可或缺的塑形工具。各种文体实验在穷尽了纸质媒介叙事可能性的同时,也使得叙述与故事决裂,塑形本身成为比故事更重要的存在。今天,影像虽已成为叙事的主体却并未引起叙事形式产生实质性变化,但虚拟和互动技术的发展则为叙事提供了某种新的契机,预示着故事将回归史诗式的未来。The emergence and development of narrative forms is not self - regulated, but under the inter- active influence of the dual factors ： media and genres. From ancient to modern times, images have been gradu- ally internalized as an indispensable means of narrative reconfiguration. As various experiments exhaust the pos- sibilities of paper - based media narrative, they also make narrative forms divorced from the contents of stories, leading to forms outweighing stories. Nowadays, despite the fact that images have become the dominant form of narration, substantial changes have not taken place regarding narrative forms. However, the development of vir- tual and interactive technologies provide new opportunities for narration, foreseeing the return of the stories to the epic in the future.

关 键 词：叙事塑形 图像化 叙事线条 文体 媒介 

分 类 号：I04[文学—文学理论] J04[艺术—艺术理论]