文体 地理 趣味——梁启超与20世纪中国美学  

Literary Form,Geographical Condition and Taste:Liang Qichao and Chinese aesthetics in 20th Century

作　　者：李健[1] 

机构地区：[1]深圳大学文学院,广东深圳518060

出　　处：《杭州师范大学学报（社会科学版）》2016年第4期65-73,共9页Journal of Hangzhou Normal University(Humanities and Social Sciences)

摘　　要：梁启超是中国现代美学的重要开拓者之一。他站在中国封建社会秩序解体、新的社会秩序建立的边缘,以自己敏锐的视角去寻求美、发现美。在文体中,他发现了中西截然不同的美学精神;在地理中,他发现了地域造就人的性情以及性情与美的创造之关系。最终,他找到了真与趣味,津津乐道自然、人生、文学与艺术中所蕴含的真与趣味。他希望建立一种新的美学精神,这种美学精神"精深盘郁"、"雄伟博丽",充满趣味,具有冲破旧传统的恢弘气势;另一方面,他又希望这一新的美学精神能够保存中国传统美学的优雅与华丽。这种梁启超式的情结,成为中国现代美学发展中的一个典型表征。Liang Qichao is one of the important pioneers of Chinese modern aesthetics. He stood on the edge of the disintegration of the feudal social order as well as the construction of the new social order in China, and he was exploring the beauty with his own sharp insight. In literary form, he found the Chinese and Western different aesthetic spirits; in geographical condition, he discovered the geographical creation of human nature and the creation of the relationship between temperament and beauty. He finally found the genuine and the taste, and discussed with great passion about them in nature, life, literature and art. In fact, he expected to build a new aesthetic spirit, characterized by ＂deep and elegant＂, ＂grand and learned＂, full of fun, and with the breakthrough to the old traditional momentum. He, on the other hand, also hoped that the new aesthetic spirit could keep the grace and magnificence in Chinese traditional aesthetics. This kind of Liang Qichao＇s complex has become a typical representa- tion of the development of Chinese modern aesthetics.

关 键 词：梁启超 中国美学 文体 地理 趣味 

分 类 号：I01[文学—文学理论]