“心斋”与“沉默”:庄子怀疑论美学的思想姿态  

Purifying and Silence as the Features of Chuang-tzu's Skepticism Aesthetics

作　　者：颜翔林[1] 

机构地区：[1]温州大学文学院,浙江温州325000

出　　处：《中国文学研究》2016年第4期68-72,共5页Research of Chinese Literature

基　　金：国家社会科学基金项目"庄子怀疑论美学"(12FZW007);浙江省社会科学规划项目"庄子怀疑论美学及其当下意义"(06CGWX25YBX)阶段性成果

摘　　要：庄子选择"心斋"的方式作为主体的审美工具和超脱精神纷争的策略。与此相关,"沉默"引申为获取美感、自由和智慧的途径。二者合乎逻辑地构成庄子怀疑论美学的思想姿态。Chuang-tzu choose ＂Purifying Heart＂ as the aesthetic tools of subject and the strategy of breakout mental conflict. Related to this, ＂silent＂ was considered as the way of obtaining aesthetic feeling, freedom and wisdom. Both of them constituted logically the chuang-tzu skepticism aesthetics thoughts.

关 键 词：心斋 沉默 怀疑论 美感 

分 类 号：I01[文学—文学理论]