具象、抽象与拟象——关于绘画语言“象”的反复思考  

Concrete Images, Abstract Images and Mimetic Images: Consideration on "Images" as a Painting Language

作　　者：李华秀[1] LI Hua-xiu(School of Arts, Hebei Normal University, Shijiazhuang, Hebei 050024, Chin)

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《石家庄学院学报》2017年第1期124-129,共6页Journal of Shijiazhuang University

基　　金：河北省高等学校创新团队领军人才培养计划项目成果

摘　　要：在小说中作者塑造形象,在诗歌中诗人累积意象,而在绘画中画家描绘物象、景象、肖像……"象"是一切艺术的核心,也是一切艺术的本源。因为"象"就是我们生活其间的世界的摸样。我们认识世界的方式主要是通过"象"完成的,但"象"的存在方式并不单一,它以具象、抽象、拟象的方式存在于人们的观念中,因而也存在于艺术中。The author portrays his character images in his novel; the poet accumulates poetic images in his poem. While in painting, the painter depicts images of objects, scenery, people etc. ＂Images＂ are the core as well as the origin of all artistic forms, for they represent what the world in which people live looks like. People manage to comprehend the world mainly through these ＂images＂, which do not exist in monotonous ways. On the contrary, they exist in people＇s concept in the form of concrete images, abstract images, and mimetic images, which further make them exist in art too.

关 键 词：象 具象 抽象 拟象 绘画语言 

分 类 号：I01[文学—文学理论]