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作 者:邵晓舟[1]
出 处:《扬州大学学报(人文社会科学版)》2016年第6期100-105,共6页Journal of Yangzhou University(Humanities and Social Sciences Edition)
基 金:国家社科基金课题(15BZX122);江苏省社会科学基金课题(14ZWB006);江苏省社科研究青年精品课题(13SQC-172)
摘 要:在泰州学派创始人王艮看来,立足于"身"这一主体,审美创造实践可分为以下四个步骤:首先确立"贵体尊身"的根本宗旨和行动准则,进而以"求仁安身"处理人与世界的关系,再者以"明哲保身"处理人与社会的关系,最终通过"格物修身"实现自我的完善与超越。As the founder of the Taizhou School, Wang Gen divides aesthetic practice into four aspects surrounding the subject category of "body". "Valuing the body" is the essential tenet and practicing code. "Pursuing goodness and locating the body" is resorted to deal with the man-world relationship. "Keeping oneself from incurring troubles" is used to handle the relationship between man and society. Finally, "studying the world and improving oneself" helps to realize self-accomplishment and self-surpassing.
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