意味深长:京剧程式性思辨  

Significance:Peking Opera's Stylization

作　　者：万素[1] 

机构地区：[1]中国艺术研究院戏曲研究所,北京100029

出　　处：《艺术百家》2017年第1期56-59,93,共5页Hundred Schools In Arts

摘　　要：中国戏曲艺术基于民族美学精神,具有独特的假定性和别具一格的形式美,是一种叙事与抒情兼容、再现与表现共生、间离与共鸣浑融的艺术形态。戏曲程式对生活素材予以提炼、夸张、变形、规范,将角色内在情感鲜明地外化。程式体验是理性与感性二者辩证统一。戏曲程式体验"入乎其内,出乎其外",是一套内外兼修的技巧体验,心理节奏与技术节奏合拍一致,心理技巧与形体技巧和谐统一。戏曲程式具有生长性,既是前辈艺人的创造成果,又是后人再创造的中介平台。戏曲程式与生活相互渗透、相互转化,不断破壳生长,好似戏曲艺术整体动态发展进程中的一座座驿站。Based upon national aesthetic spirit, traditional Chinese opera has its peculiar supposition and distinctive form beauty, and it is an art form well integrating narration and emotion, presentation and representation, alienation and resonance. Opera style and form refines, exaggerates, and specifies the living materials and vividly externalizes the character＇ s inner feeling. Stylization experience is dialectic unification between sense and sensibility. Actors are demanded to get refined internally and externally so as to form a unified psychological rhythm and technologic rhythm. Opera stylization grows, and it is not only the creative achievement of predecessors but also the intermediary agent of the later generations. Opera stylization and life are interpenetrating and inter - transferring.

关 键 词：戏曲艺术 京剧 艺术程式 审美体验 表现 规范 再创造 

分 类 号：J80[艺术—戏剧戏曲]