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作 者:郝建杰[1]
出 处:《衡水学院学报》2017年第2期91-96,共6页Journal of Hengshui University
基 金:姚奠中国学教育基金项目(山西省高等学校哲学社会科学研究项目国学专项项目)"<诗经>地域性研究--以<唐风><魏风>为中心"阶段性成果(晋教科[2011]9号)
摘 要:社会的忧患恐慌和个体的幽怨不平作为末世魏国社会情境的基本特征,既缘于魏国社会境况与其农业社会基本性质所决定的基本事态的背离,又缘于魏国社会普遍存在的浓重的功利性特征,同时还受作为社会意识形态因素的道德和社会思潮的影响。《魏风》的情感基调可概括为怨、恨、悲、忧、惧几种负性情绪。接受者心理因受情感基调的扰动而产生种种艺术效应,从而据此判断《魏风》的情感基调至少具有情真、贞刚、滞重、晦暗四种艺术特征。The social anxiety and panic and the individual worry of injustice are the basic characteristics of the social context of the eschatological Wei, and this is because of the basic nature of the situation of the basic agricultural society departing from its social situation, and due to the universal and obvious utilitarian features of Wei, and at the time, this is also affected by the moral and social trend as a social ideological factors. The emotional tone of Wei Feng can be summarized as several negative emotions such as resentment, hate, grief, sorrow, fear. Recipients produces a variety of artistic effects due to emotional tone, thereby the judgement is that the emotional tone in Wei Feng contains at least four kinds of artistic features: sincere emotion, chastity, heaviness and tarnish.
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