网络文学中的“汉字图像”及其审美嬗变  

Chinese Characters Image and Its Aesthetic Transmutation of Internet Literature

作　　者：韩模永 

机构地区：[1]东北财经大学新闻传播学院 [2]山东大学文艺美学研究中心

出　　处：《中州学刊》2017年第4期157-162,共6页Academic Journal of Zhongzhou

基　　金：国家社会科学基金青年项目"网络文学‘新文类’的形式创新及其审美嬗变研究"(16CZW003);中国博士后科学基金第60批面上资助项目"网络文学‘新文类’的媒介变革及其美学考察"(2016M602120);辽宁省高等学校优秀人才支持计划资助项目(WJQ2015010)

摘　　要：相对于传统文学,网络文学发生了诸多重要的嬗变,在汉语作品中,尤为突出的便是"汉字图像"的出现、彰显甚至僭越。"汉字图像"主要表现为四种形态,即汉字"造景"、多向汉字、字图互文和汉字多媒体,前两者主要侧重于汉字"能指"本身的变化,后两者则代行文字的种种功能,是一种作为文字的图像。这种"汉字图像"的融入不是简单的表达方式和呈现形态的变化,它切切实实地导致了网络文学发生一系列审美嬗变,即审美话语的转换、审美特性的革新和审美体验的嬗变等,也必将对汉语写作产生显著的影响。Compared with traditional literature, internet literature has many important changes in Chinese works, especially the e-mergence of Chinese Characters Image. It mainly includes four types, that is the landscape of Chinese character, the multidireetionalChinese character, the intertextuality between Chinese character and image, and the multimedia of Chinese character. The first twomainly focus on the changes of the signifier of Chinese character, the latter two take the place of the various functions of the words. Atthe same time, Chinese Characters Image is not simply some changes of the ways of expression and presentation, it really leads to theaesthetic transmutation of internet literature, for example, the conversion of aesthetic discourse, the innovation of aesthetic characteris-tics and the evolution of aesthetic experience,which will have a significant influence on Chinese writing.

关 键 词：网络文学 “汉字图像” 审美话语 审美特性 审美体验 

分 类 号：I01[文学—文学理论]