审美文化视域下的新疆维吾尔族纳格拉鼓乐研究  

The Aesthetic Characteristics of Xinjiang Uygur's Naqqara Drum

作　　者：刘莉[1] 崔斌[1] 

机构地区：[1]新疆师范大学音乐学院,新疆乌鲁木齐830054

出　　处：《新疆艺术学院学报》2017年第1期43-49,共7页Journal of Xinjiang Arts University

基　　金：2011年度教育部人文社科一般项目"维吾尔文化视野下的纳格拉鼓研究"(11YJA760010);自治区高校人文社科重点基地新疆少数民族音乐与舞蹈研究中心重点项目"维吾尔木卡姆审美文化研究"(XJEDU060113B03);新疆师范大学博士科研启动基金(XJNUBS1116)资助

摘　　要：丰富的节奏和律动是维吾尔族歌舞最为耀眼之处,而纳格拉鼓乐节奏鲜明,发声高亢、激越,在民俗、节日、婚庆中起着召唤、聚集和引导功能,对形成地域色彩浓郁的音乐风格起着决定作用。纳格拉鼓乐是一种植根于沙漠的绿洲文化,点亮生命活力、释放审美快感的乐感文化,同时也是一种苦中作乐、超越苦难的狂欢文化。这种审美文化存在于新疆独特的生态环境中,源自于维吾尔民族的审美心理,表现为一种迥异于其他民族的审美意识。Rich rhythm is the unique feature of Uygur dance and music. Xinjiang Uygur＇s Naqqara drum has distinct rhythm and the sound is high-pitched and passionate. In the folklore, at festivals and weddings, it has the function of calling gathering and guiding and it plays an decisive role in forming musical style with regional features. It takes root in desert and oasis culture and it is music culture which lightens life and releases aesthetic pleasure and carnival culture which brings happiness in face of troubles and overcomes troubles .This aesthetic culture can be found in Xinjiang＇s unique ecological environment and originated from Uygur＇s aesthetic psychology, which is different from other ethnic aesthetic consciousness.

关 键 词：纳格拉鼓 维吾尔音乐 律动 乐感 狂欢 

分 类 号：J632.52[艺术—音乐]