《全汉赋》“玉”研究  

The Research of Jade Imagery on Quan Han Fu

作　　者：靳希[1] 张新科[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《兰州大学学报（社会科学版）》2017年第3期135-141,共7页Journal of Lanzhou University（Social Sciences）

基　　金：国家社科基金重大招标项目"中外<史记>文学研究资料整理与研究"(13&ZD111);陕西师范大学"优秀博士学位论文资助项目"(X2014YB12)

摘　　要：汉赋中玉质玉饰、玉色玉纹、玉工雕琢、玉之美喻与其他众多美玉共同构成汉赋中的"玉"事象。汉赋中涉及的有关"玉"事象的篇章包括残篇多达88篇,涉及两汉汉赋作家数量达39人次。两汉不同时期的政治、经济、文化影响到了"玉"事象在汉赋中的数量。汉赋"玉"事象数量众多原因有三点:从社会背景角度来看,丝绸之路为中原带来大量"玉";从创作主体角度来看,"玉"是文化与权力的象征;从汉赋文体功能角度来看,"玉"是繁华与美刺的象征。The textures, ornaments, colors, pattems, craftsmanship, carvings and metaphors of jade plus beautiful jades make up the jade imagery in Han Fu, in which 39 authors wrote as many as 88 works with jade imagery. The economy, politics and culture in different periods of Han Dynasties had an impact upon the number of jade imagery in Han Fu. The reasons why Han Fu contains so much jade imagery lie in three aspects. Seen from the perspective of social background, the Silk Road brought a great number of jades; from the perspective of writers, jade was the symbol of culture and power; and from the stylistic function, it was the symbol of prosperity as well as praise and satire.

关 键 词：《全汉赋》 汉赋 玉 事象 

分 类 号：I206.2[文学—中国文学]