中国“美学”学科的最初确立——以最早的三部《美学概论》为研究个案  

The Initial Establishment of Chinese Aesthetics——the First Three Survey of Aesthetics Case Study

作　　者：祁志祥[1] 

机构地区：[1]上海政法学院应用社会科学院

出　　处：《社会科学》2018年第1期168-181,共14页Journal of Social Sciences

基　　金：国家社科基金后期资助项目"中国现当代美学史"(项目批准号:16FZW052);上海市哲学社会科学规划课题"20世纪以来中国美学的学科转型与演进历程"(项目批准号:2016BWY012)的阶段性成果

摘　　要："美学"学科在中国现代学术史上的最早确立,集中体现在1920年代问世的吕澂、范寿康、陈望道的三部《美学概论》中。三部专著都坚持"美学是研究美的哲学"的学科定义,认为美学应当研究"美是什么"和"美的事物怎样才美"。吕著、范著提出"美"是一种关乎主体生命、人格、情感的积极价值,陈著认为美是具象的、直观的、可以给人带来超实用功利快感的对象。在此基础上三书对"美的规范"从心理学和社会学方面作出了初步探索。回顾这段历史,对当下盛行的反本质的美学研究具有温故知新的反思、启示意义。In the 1920s, three ＂Introduction to Aesthetics＂ of Lv Cheng, Fan Shoukang and Chen Wangdao came out, which is the earliest establishment of aesthetic discipline in modern Chinese academic history. All three monographs insist on the subject definition that Aesthetics is the study of philosophy of beauty, and think that aesthetics should study on what is beauty and how to be beautiful. Lv and Fan proposed that aesthetics is a kind of positive value concerning the subject＇s life, personality and emotion. Chen believes that aesthetics is a concrete and intuitive object that can bring about the pleasure of exceeding practical utility. On this basis, the three books on aesthetics norms from the psychology and sociology made a preliminary exploration. Looking back at this period of history, we can have a new reflection and enlightenment on the anti--essential aesthetic study currently prevailing.

关 键 词：吕激 范寿康 陈望道 美学概论 历史价值 现实意义 

分 类 号：I01[文学—文学理论]