《琵琶记》在辰河高腔中的传承演变——兼论地方戏口述编创  

The Inheritance and Evolution of the Story of Pipa in Chen-he Traditional Opera and on its Oral Creation

作　　者：刘丽娟[1] 郑劭荣[1] LIU Li-juan;ZHENG Shao-rong(Changsha University of Science,Technology,Changsha,Hunan 410076)

机构地区：[1]长沙理工大学,湖南长沙410076

出　　处：《怀化学院学报》2018年第4期26-31,共6页Journal of Huaihua University

基　　金：湖南省教育厅课题"湖湘国家级‘非遗’传承人口述历史的采集与研究"(16C0072)

摘　　要：《琵琶记》是辰河高腔较早上演的骨子老戏,继承了元明清传统本《琵琶记》部分关目排场、戏词和曲牌,其演出形态保留有南戏以及宋杂剧的某些特征。辰河戏《琵琶记》的演变主要涉及关目与场次的调整,剧情的改写、增扩、重造以及戏词与音乐的变化,体现出辰河高腔对戏剧表演性、观赏性及通俗化的审美追求。辰河戏《琵琶记》包含了许多口述的成分,伶人通过口头编创完成剧目的改编、移植,它在诸多方面实现了对原著的审美超越。The story of Pipa is the early repertoire of Chen-He traditional opera,which carries forward the tradition of the story and librettos and music.Its form of performance retains the features of Nan Xi and Song dynasty opera. The development Chen-He opera Pipa mainly involves plot and scene of the adjustment,the story rewriting,expansion and reconstruction,and show the music changes, reflecting on the drama of Chen-He opera, ornamental and popular aesthetic pursuit. Chen-He opera＂ Pipa＂ contains many oral composition, actors through oral creative adaptation, complete repertoire transplantation. and it has realized aesthetic transcendence to the original in many aspects.

关 键 词：《琵琶记》 辰河高腔 变迁 口头编创 

分 类 号：J643.5[艺术—音乐]