新时期文论的变革与反思  

Transformation of literary theory in the new period and its enlightenment

作　　者：杨春时[1] YANG Chun-shi(School of Design Art,Sichuan Fine Arts Institute,Chongqing 400053,China)

机构地区：[1]四川美术学院设计艺术学院,重庆400053

出　　处：《云南师范大学学报（哲学社会科学版）》2018年第1期95-99,共5页Journal of Yunnan Normal University：Humanities and Social Sciences Edition

摘　　要：新时期文论主要反拨了反映论和意识形态论的文学本质观,建立了主体论和审美主义的文学本质观。这是中国文论现代转向的必要环节。同时,主体性文论和审美主义文论也有历史的局限和理论的缺陷,主要是在肯定主体创造性的同时,忽视了主体与世界的同一性;在肯定文学的审美性的同时,忽视了文学的现实性。因此,在后新时期后现代主义语境中,主体性文论和审美主义文论的建立者也进行了反思和理论重建,最终建立了主体间性文论和多重性的文学本质观。The literary theory of the new period has subverted the theory of literary essentialism embodied in the theory of reflection and ideology theory,and established literary essentialism of subjectivity and aesthetics,which is the necessary modern transformation of Chinese literary criticism,while these literary criticisms have their historical and theoretical defects and limitations,mainly in ignoring the identity of the subject and the world while confirming the subjective creativity as well as in ignoring the literary reality while confirming literary aesthetics.Therefore,in the new context of postmodernism,the proposers of the theory of literary subjectivity and aesthetics have their reflections and reconstruction of literary theory,and finally established the theory of intersubjectivity and the multi-dimensional theory of literary essentialism.

关 键 词：新时期文论 主体性 审美主义 主体间性 

分 类 号：B83[哲学宗教—美学]