检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:陈昊[1] Chen Hao(Tianhua College,Shanghai Normal University,Shanghai 201815,China)
出 处:《黄山学院学报》2018年第6期66-69,共4页Journal of Huangshan University
摘 要:赵无极85’讲学是20世纪80年代中国美术教育的重要事件,它给中国现代艺术教育思想带来一股自由之风。他教导学员要以"自由的观念"进行创作。当时正是中国改革开放之初,全民处于个体价值被重新肯定的历史转折点,尤其是在苏联美术"教条主义"式的观念下,任何新的艺术形态无异于离经叛道。因此,这次讲学一方面拂去了国内画家对抽象艺术扭曲的认识,另一方面又摒弃了浮躁的心态,其意义已远超艺术范畴。那其实是通过一场艺术讲学,传达了一种对传统艺术的重新肯定,促进了文化的精神解放,是整个时代走向自信和开放的重要推动力。Zhao Wuji 85'lecture was an important event of Chinese art education in the 1980s,which brought the wind of freedom to Chinese modern art education.He taught his students to create their works by following"the concept of freedom".At that time,at the beginning of China's reform and opening up,the whole people were at a turning point in history to reaffirm their individual values.Especially under the dogmatic concept of art in the Soviet Union,any new artist form was considered as discarding the classics and rebelling against orthodoxy.Therefore,the lecture,on the one hand,brushes away the domestic artists'distorted understanding towards abstract art,on the other hand,abandons the impetuous mentality;its significance is far beyond the scope of art.In fact,the art lecture conveys a sense of re-affirmation to the traditional art,promotes a spiritual emancipation to culture,and is an important driving force to the people in the era towards self-confidence and openness.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.15