宗白华与方东美对中国艺术结构的现代诠释  

ZONG Bai-hua and FANG Dong-mei's Modern Interpretation of Chinese Art Structure

作　　者：李春娟[1] Li Chun-juan(Department of Art Design,Hefei University,Hefei 230601,China)

机构地区：[1]合肥学院艺术设计系,合肥230601

出　　处：《合肥学院学报（综合版）》2019年第1期70-74,共5页Journal of Hefei University：Comprehensive ED

基　　金：2017年度国家社科基金重大项目"朱光潜;宗白华;方东美美学思想形成与桐城文化关系研究"(17ZDA018)

摘　　要：中国传统艺术创作要求艺术家将宇宙的生命之气与自身的精神气质融会贯通,以传达生命的意蕴与美感。20世纪以来,如何在西学东渐的背景下将传统艺术精神进行现代转换是重要的时代课题。宗白华与方东美在坚守民族文化特质的基础上,通过中西对比深入发掘了传统艺术的多层价值与生命精神,运用具有浓厚中国特色的概念阐释中国艺术的结构,建构了中国艺术理论的话语体系与理论体系,引领了中国艺术理论的现代发展。Chinese traditional artistic creation requires artists to link the spirit of life of the universe with their own spiritual temperament,so as to convey the meaning and beauty of life. How to interpret the traditional artistic spirit in the context of modernization has been an important topic since twentieth century. ZONG Bai-hua and FANG Dong-mei stick to the standpoint of national culture,excavate the characteristics of traditional art through the comparison between China and the west,use the concept of Chinese characteristics to explain the structure of Chinese art,construct the discourse system and theoretical system of Chinese art theory,and promote the modern development of Chinese art theory.

关 键 词：方东美 宗白华 中国艺术结构 生命 

分 类 号：B83-0[哲学宗教—美学] J02[艺术—艺术理论]