论中国画的构图——留白  

On the Composition of Chinese Painting--Leave White

作　　者：杨圣缘 类维顺[1] YANG Shengyuan;LEI Weishun(Jilin University, Jilin Changchun, 130012, China)

机构地区：[1]吉林大学,吉林长春130012

出　　处：《数码设计》2018年第5期169-169,共1页Peak Data Science

摘　　要：留白是中国画的独特构图之一,我们用黑白两色展现出中国画独特的蕴境,留白则是一种基于审美哲学为一体极具想象力的我们中国人们的独特智慧,它展现了无中生有,有种生无,体现我们中国特有的意到笔不到,虽然没有笔墨的诸多变化但无初不体现我们中国文化特有的独特蕴境。本文从哲学角度、审美角度以及对后世的影响来探讨中国画的留白。The white space is one of the unique composition of Chinese painting. We use black and white to show the unique conception of Chinese painting, while the white space is the unique wisdom of our Chinese people, which is based on aesthetic philosophy. There is a kind of life, reflect our unique meaning of China can not be written, although there are no pen and ink of many changes, but not at the beginning of the unique Chinese culture reflects our unique context. This paper discusses the white space of Chinese painting from the perspective of philosophy, aesthetics and influence on later generations.

关 键 词：留白 哲学 审美 

分 类 号：G623[文化科学—教育学]