“天人合一,道法自然”——从“荒海”句刍议松尾芭蕉后期俳谐的朴素唯物主义美学观  

The Pursuit of Harmony between Man and Nature:A Rustic Opinion on the Simple Materialistic Aesthetics of Matsuo Basho’s Late Haiku Works from Wild Sea

作　　者：齐金玲 王博[2] QI Jinling;WANG Bo(College of Foreign Languages,Jilin Institute of Chemical Technology,Jilin 132022,China;Research Institute of Jilin Petrochemical Company,Jilin 132021,China)

机构地区：[1]吉林化工学院外国语学院,吉林吉林132022 [2]吉林石化公司研究院,吉林吉林132021

出　　处：《吉林化工学院学报》2019年第10期86-88,共3页Journal of Jilin Institute of Chemical Technology

摘　　要：唯物主义美学观认为,美是物质的属性,是第一性的客观存在,美感和审美意识是美的反映,是第二性的;美和美感的关系,是被反映和反映的关系。试图通过梳理日本“俳圣”松尾芭蕉的晚年经历、代表著作及其美学思考,探讨其俳谐的最高艺术境界,即朴素唯物主义美学内涵。Materialistic aesthetics holds that beauty is the attribute of matter and the objective existence of primacy;aesthetic sense and aesthetic consciousness are the reflection of beauty and on the secondary position;the relationship between beauty and aesthetic sense is the relationship between being reflected and reflection.This paper attempts to explore the Japanese Haiku Saint Matsuo Basho’s highest artistic realm of Haiku-the connotation of Simple Materialistic Aesthetics,by reviewing the experience,representative works and aesthetic thinking in his later life.

关 键 词：松尾芭蕉 俳谐 朴素唯物主义 境界 美学 

分 类 号：I106.2[文学—世界文学]