小说叙述视角的转喻路径研究  

A Study of Narrative Perspectives in Novels: a Metonymic Approach

作　　者：位巧[1] WEI Qiao(Haidu College,Qingdao Agricultural University,Laiyang Shandong 265200,China)

机构地区：[1]青岛农业大学海都学院

出　　处：《湖北开放职业学院学报》2019年第24期187-189,192,共4页Journal of Hubei Open Vocational College

基　　金：2018年山东省本科教改项目“基于移动学习的独立学院大学英语混合教学模式研究”(项目编号:M2018X157)

摘　　要：叙述视角是设立小说叙事空白的主要方式,其选择意味着话语范围的限制。内视角通过人物的意识叙述事件,有选择性地呈现人物意识范围内突显的信息,省略或隐含其他信息。外视角通过叙述者的意识展示场景、人物的言行等叙述故事,将人物的心理、事情的缘由设置为空白。零视角通过选取部分情节或场景以部分表征整体的方式叙述故事。不管采取哪种视角,小说叙事都是转喻式的,通过叙述视角的过滤、选择的细节可以充当认知参照点为故事整体的构建提供心理通道。This paper studies narrative perspectives from the approach of metonymy. It is found that narrative perspectives are the primary ways to establish narrative gaps, whose choice means the limitation of discourse scope. Internal perspective narrates the story via some characters’ consciousness, choosing the details which are salient to the character, while eliminating or implying other information. The external perspective narrates by the narrator’s awareness, showing scenes, and the characters’ words and deeds, while leaving blank the character’s mental state and the causes of the situation. The omniscient perspective is taken to signify the story by choosing details or scenes by part for whole. No matter what perspective is taken, the narrations of novels are in metonymic ways. With the distillation of the narrative perspectives, the selected details can works as a reference point which provides mental access to the construction of the whole story.

关 键 词：小说 叙述视角 转喻 

分 类 号：I05[文学—文学理论]