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作 者:李森[1] LI Sen
出 处:《上海师范大学学报(哲学社会科学版)》2020年第2期68-76,共9页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
摘 要:从艺术理论生成的逻辑原点出发,阐述了东西方艺术理论生成和演化的不同路径,讨论了艺术理论的逻辑基础,并以“语言漂移说”的艺术哲学思想,将东西方艺术理论的逻辑系统合流,拓展出当代艺术哲学的一个崭新视野。具体包括:首先,艺术理论的实质,是各种言说方式布局而成的“概念包”,艺术理论作为“概念包”的总和,是一种与艺术创造分离的“语言游戏”;其次,艺术理论只有在作为动词的“思-想”层面上,才是有价值的,而思-想按逻辑程式进行归纳和演绎,在事实和艺术之间留下了难以弥补的鸿沟;其三,东方“思-想”的自然思考原理与西方思想的超自然思考原理,构建了与之相应的迥异的艺术理论框架,自然思考原理的哲学基础是“道法自然”,而超自然思考原理的哲学基础则是“自然法道”;其四,“表象”“形象”“自我”等范畴,都可能被概念、观念绑架而成为一种“深度”幻想或错觉,因此,要在“语言漂移”的时刻将其激活;其五,论证了作者提出的“语言漂移说”所倡导的“形而中”理论,认为艺术是“暂住”在“形而中”“位点”上的“语言漂移”,艺术理论和艺术语言,只有同时在“语言漂移”的某个“位点”上生成,才是鲜活有效的。Starting from the logical origin of art theory,this paper traces the different paths through which Eastern and Western art theories have come into being and evolved,discusses the logical basis of art theory,and merges the logic systems of Eastern and Western art theories by using the art philosophy the author has named“the language drifting theory”in order to develop a new vision of contemporary art philosophy.Specifically,it includes the following arguments.Firstly,the essence of art theory is a“concept package”composed of various speech modes,art theories as the sum of this“concept package”being a“language game”separated from artistic creation.Secondly,art theory is valuable only at the level of“think-perceive”as a verb,whereas“thinking-perceiving”,by following inductive and deductive procedures,leaves an unbridgeable gap between facts and art.Thirdly,the Eastern natural thinking principle(i.e.,the“think-perceive”principle)which is based on the“Dao following nature”pattern and the Western supernatural thinking principle which is based on the“nature following Dao”pattern have led to vastly different theoretical frameworks of art.Fourthly,the categories of“appearance”,“image”and“self”may be harnessed by concepts and ideas,and become a“deep”fantasy or illusion.Therefore,they should be activated in the process of“language drifting”.Fifthly,the author demonstrates the theory of the“mid-physical”as promoted by his“language drifting theory”,holding that art is“language drifting”which“temporarily dwells”on the“locus”of the“mid-physical”,that is,art theory and art language are lively and effective only when they are simultaneously generated at a“locus”of“language drifting”.
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