镜与像——以《牡丹亭》中的陈最良管窥科举视阈下的晚明儒生  

Mirror and Image——A Study of Confucian Scholars in the Late Ming Dynasty from the Perspective of Imperial Examination with Chen Zuiliang

作　　者：易秀娟 YI Xiujuan(College of Arts,Hubei University,Wuhan 430062,Hubei)

机构地区：[1]湖北大学文学院,湖北武汉430062

出　　处：《开封大学学报》2019年第4期22-27,共6页Journal of Kaifeng University

摘　　要：明代,科举制度发展到鼎盛阶段。它直接影响了文人的创作心态。首先,科举题材或者包含有科举情节的戏曲作品大量出现。其次,这些科举题材的戏曲作品把科举、忠孝和婚姻放到同一个层面来考量。第三,刻画了科举制度下一批儒生的形象,展示了他们不同的命运。以杜宝为代表的科举制度受益者是少数人;柳梦梅是儒生里的异端;以陈最良为代表的落第儒生,既是封建礼教的建构者,也是封建礼教的解构者。The imperial examination system reached its peak in the late Ming dynasty.It directly affects the mentality of the literati,at the same time,the influence on opera works is various.First of all,a large number of subjects or plots appeared in the opera works of this period.Secondly,these works on the subject of the imperial examinations considered the imperial examinations on the same level as loyalty,filial piety and marriage.Third,the imperial examination system produced a number of Confucian scholars.The beneficiaries of the imperial examinations,represented by Du Bao,were the minority under the system.Liu Mengmei is a heresy in Confucianism,among them,the living state of the fallen Confucian scholar represented by Chen Zuiliang is particularly worthy of attention.

关 键 词：科举制度 儒生 《牡丹亭》 陈最良 伦理关系 

分 类 号：I206.2[文学—中国文学]