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作 者:张应华[1] Zhang Ying-hua(School of Music and Dance,Hunan First Normal University,Changsha,Hunan 410000)
机构地区:[1]湖南第一师范学院音舞学院,湖南省长沙市410000
出 处:《内蒙古艺术学院学报》2020年第2期161-164,共4页Journal of Inner Mongolia Arts University
基 金:湖南省社科基金项目“南岭与罗霄山脉交汇片区‘山地民族’山歌比较研究”(项目编号:18JD23)系列研究论文。
摘 要:在倡导复兴中国优秀传统文化的背景下,《中西方传统作曲技法的比较研究》从专业的角度,通过中西方传统作曲技法的比较,对创作音乐作品中传统文化的传承发展进行了探索与分析。中西方传统作曲技法的异同与中西文化的背景有密切关系,专著以文化为主线进行了论述,从多个方面对写作的主题做了详细的介绍和论证,试图从中西作曲技法中寻找中国音乐文化之根的线索。专著主要体现了以下几个特征:一、中西方音乐结构的哲学基础论述;二、中西作曲技法中的文化异同的比较分析;三、中国音乐的文化之根的阐述等三个方面。under the background of advocating the rejuvenation of Chinese excellent traditional culture,the comparative study of Chinese and western traditional composition techniques explores and analyzes the inheritance and development of traditional culture in the creation of music works from a professional perspective through the comparison of Chinese and western traditional composition techniques.The similarities and differences between Chinese and western traditional composition techniques are closely related to the background of Chinese and Western culture.The monograph takes culture as the main line to discuss,and makes a detailed introduction and demonstration of the theme of writing from many aspects,trying to find the clues of the root of Chinese music culture from Chinese and western composition techniques.The monograph mainly embodies the following characteristics:1.The philosophical foundation of Chinese and western music structure;2.The comparative analysis of cultural similarities and differences in Chinese and western composition techniques;3.The elaboration of the cultural roots of Chinese music.
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