中国先民早期审美意识生成论  

On the Formation of Chinese Ancestors’Early Aesthetic Consciousness

作　　者：易小斌[1] YI Xiaobin(College of Literature and Journalism,Hunan University of Technology,Zhuzhou Hunan 412007,China)

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412007

出　　处：《湖南工业大学学报（社会科学版）》2021年第2期9-16,共8页Journal of Hunan University of Technology(Social Science Edition)

基　　金：湖南省社科基金项目“先秦道家文艺审美思想研究”(15YBA139)。

摘　　要：从生成论视野看,中国先民早期审美意识的形成是一个动态的生成过程。上古的图腾崇拜、神话传说、文字符号、音乐、绘画、建筑等文化和艺术形态,对于中国先民审美形象的建构、审美思维的创生、审美意象的表达、审美经验的累积,产生了极为深远的影响。中国先民早期审美意识的生成,是一个在不同文化形态的合力作用下得以不断创生的过程。From the perspective of Generative Theory,the formation of Chinese ancestors’early aesthetic consciousness is a dynamic generative process.Totem worship,myths and legends,symbols,music,painting,architecture and other cultural and artistic forms in ancient times had a profound impact on the construction of Chinese ancestors’aesthetic image,the creation of aesthetic thinking,the expression of aesthetic conception,and the accumulation of aesthetic experience.The formation of Chinese ancestors’early aesthetic consciousness is a process of continuous creation under the joint force of these different cultural forms.

关 键 词：中国先民 审美意识 生成论 审美形象 审美思维 审美意象 审美经验 

分 类 号：B83-0[哲学宗教—美学]